Julian Barnes

Julian Barnes was born in Leicester, England on January 19, 1946. He was educated at the City of London School from 1957 to 1964 and at Magdalen College, Oxford, from which he graduated in modern languages (with honours) in 1968.
Barnes has received several awards and honours for his writing, including the 2011 Man Booker Prize for The Sense of an Ending. Three additional novels were shortlisted for the Man Booker Prize (Flaubert's Parrot 1984, England, England 1998, and Arthur & George 2005).

Books

In May 1937 a man in his early thirties waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now. And few who are taken to the Big House ever return.

Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 10½ Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism.

Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

As he writes in his preface, 'Novels tell us the most truth about life: what it is, how we live it, what it might be for, how we enjoy and value it, and how we lose it.

This Man Booker Prize–winning novel is now a major motion picture. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre.

The stories in Julian Barnes' long-awaited third collection are attuned to rhythms and currents: of the body, of love and sex, illness and death, connections and conversations. Each character is bent to a pulse, propelled on by success and loss, by new beginnings and endings.

Julian Barnes' new book is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on mortality and the fear of death, a celebration of art, an argument with and about God, and a homage to the French writer Jules Renard. Though he warns us that 'this is not my autobiography', the result is like a tour of the mind of one of our most brilliant writers.

Shortlisted for the Man Booker Prize for Fiction Arthur & George is a novel in which the events of a hundred years ago constantly set off contemporary echoes. It is a novel about low crime and high spirituality; guilt and innocence; identity, nationality and race; and thwarted passion.

A collection of short stories on the nuances of life and its insurmountable end. From the hairdressing salon where an old man measures out his life in haircuts, to the concert hall where a music lover carries out an obsessive campaign against those who cough in concerts; from the woman who reads elaborate recipes to her sick husband as a substitute for sex, to the woman 'incarcerated' in an old people's home beginning a correspondence with an author that enriches both their lives - all Barnes' characters, in their different ways, square up to death and rage against the dying light.

The Pedant in the Kitchen A witty and practical account of Julian Barnes' search for gastronomic precision. It is a quest that leaves him seduced by Jane Grigson, infuriated by Nigel Slater, and reassured by Mrs Beeton's Victorian virtues. The Pedant in the Kitchen is perfect comfort for anyone who has ever been defeated by a cookbook and is something that none of Julian Barnes' legion of admirers will want to miss.

In Talking It Over, Stuart and Oliver fought for the love of Gillian. One of them won, but what happened next? Love, etc catches up with this trio after ten years only to find more chaos and confusion. Written in the same style as the prequel, Barnes takes the form a few steps further as the characters plead for the reader's attention.

Shortlisted for the Man Booker Prize for Fiction One of Barnes's finest and funniest novels, England, England calls into question the idea of replicas, truth vs. fiction, reality vs. art, nationhood, myth-making, and self-exploration.

A collection of short stories that explore the connections, similarities, and differences between England and France. Clever, wise, reflective and imaginative, these stories are permeated with understanding of what it has meant for generations from these islands to cross the Channel.

Barnes's first published book of non-fiction. Barnes served as London correspondent for the New Yorker between 1990-1995, writing a series of essays under the collective title of Letters from London. Gathered here, along with a few essays published elsewhere, this collection constitutes Barnes's first published book of non-fiction.

The Porcupine A startling look at the fallout from the recent transformation of Eastern Europe. Powerful and unsettling, The Porcupine is a novel about the fall of Communism and the hold it retains on its successors; about the particular uncertainties of politics in our time; and about the stubborn, disturbingly grey areas hidden in any black-and-white vision of the world.

Bright and funny "he said/she said/he said" novel. Talking it Over is a brilliant and intimate account of love's vicissitudes. It begins as a comedy of misunderstanding, then slowly darkens and deepens, drawing us compellingly into the quagmires of the heart.

Winner Somerset Maugham Award for a First Novel Metroland was Julian Barnes's first novel. It took between 7-8 years to write and draws heavily on his personal experiences growing up in the suburbs of London.

'History isn't what happened. History is just what historians tell us. There was a pattern, a plan, a movement, expansion, the march of democracy; it is a tapestry, a flow of events, a complex narrative, connected, explicable. One good story leads to another.

There was no courage without fear, and without admitting fear. Men's courage was different from women's courage. Men's courage lay in going out and nearly getting killed. Women's courage—or so everyone said—lay in endurance." Staring at the Sun, p.78

"Gustave imagined he was a wild beast — he loved to think of himself as a polar bear, distant, savage and solitary. I went along with this, I even called him a wild buffalo of the American prairie; but perhaps he was really just a parrot." Flaubert's Parrot, p.151

So why should this jealousy linger on, unwanted, resented, only there to bugger you around? Like a middle ear, only there to make you lose your sense of balance; or like an appendix, only there to flare up insolently and have to be taken out. How did you take out jealousy?" Before She Met Me, p.123

Toni morrison

Toni Morrison is an American novelist, editor, and professor. Her novels are known for their epic themes, vivid dialogue, and richly detailed characters. Among her best known novels are The Bluest Eye, Sula, Song of Solomon and Beloved. She was also commissioned to write the libretto for a new opera, Margaret Garner, first performed in 2005. She won the Pulitzer Prize and the American Book Award in 1988 for Beloved and the Nobel Prize in 1993.

Books

Pecola Breedlove, a young black girl, prays every day for beauty. Mocked by other children for the dark skin, curly hair, and brown eyes that set her apart, she yearns for normalcy, for the blond hair and blue eyes that she believes will allow her to finally fit in.Yet as her dream grows more fervent, her life slowly starts to disintegrate in the face of adversity and strife. A powerful examination of our obsession with beauty and conformity, Toni Morrison’s virtuosic first novel asks powerful questions about race, class, and gender with the subtlety and grace that have always characterized her writing.

Two girls who grow up to become women. Two friends who become something worse than enemies. In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Their devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.

Into a white millionaire's Caribbean mansion comes: Jadine, a graduate of the Sorbonne, art historian - an American black now living in Paris and Rome and Son, a criminal on the run, uneducated, violent, contemptuous - an American black from small-town Florida. He is a threat to her freedom she is a threat to his identity...

The book is the story of Sethe and her daughter Denver after their escape from slavery. Their home in Cincinnati is haunted by a revenant, whom they believe to be the ghost of Sethe's daughter. Because of the haunting—which often involves objects being thrown around the room—Sethe's youngest daughter Denver is shy, friendless, and housebound, and her sons, Howard and Buglar, have run away from home by age 13. Baby Suggs, the mother of Sethe's husband Halle, dies in her bed soon afterward.

The novel deliberately mirrors the music of its title, with various characters "improvising" solo compositions that fit together to create a whole work. The tone of the novel also shifts with these compositions, from bluesy laments to up beat, sensual ragtime. The novel also utilizes the call and response style of Jazz music, allowing the characters to explore the same events from different perspectives.

They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma.

In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love.

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

When Frank Money joined the army to escape his too-small world, he left behind his cherished and fragile little sister, Cee. After the war, his shattered life has no purpose until he hears that Cee is in danger.

V.S Naipal

Sir Vidiadhar Surajprasad Naipaul, TC, is a Trinidad-born Nobel Prize-winning British writer known for his comic early novels set in Trinidad, his bleaker later novels of the wider world, and his autobiographical chronicles of life and travels. Naipaul has published more than 30 books, both of fiction and nonfiction, over some 50 years.

In this slyly funny and lavishly inventive novel–his first–V. S. Naipaul traces the unlikely career of Ganesh Ramsumair, a failed schoolteacher and impecunious village masseur who in time becomes a revered mystic, a thriving entrepreneur, and the most beloved politician in Trinidad. To understand a little better, one has to realize that in the 1940s masseurs were the island’s medical practitioners of choice. As one character observes, “I know the sort of doctors they have in Trinidad. They think nothing of killing two, three people before breakfast.”

In this book, an old, comically timid and absent-minded man, Surujpat Harbans, runs for office, aided by superstition, bribes, and an aggressive compaign.

“A stranger could drive through Miguel Street and just say ‘Slum!’ because he could see no more.” But to its residents this derelict corner of Trinidad’s capital is a complete world, where everybody is quite different from everybody else. There’s Popo the carpenter, who neglects his livelihood to build “the thing without a name.” There’s Man-man, who goes from running for public office to staging his own crucifixion, and the dreaded Big Foot, the bully with glass tear ducts. There’s the lovely Mrs. Hereira, in thrall to her monstrous husband.

Half a Life is the story of Willie Chandran, whose father, heeding the call of Mahatma Gandhi, turned his back on his brahmin heritage and married a woman of low caste—a disastrous union he would live to regret, as he would the children that issued from it.

In his forty-six short years, Mr. Mohun Biswas has been fighting against destiny to achieve some semblance of independence, only to face a lifetime of calamity. Shuttled from one residence to another after the drowning death of his father, for which he is inadvertently responsible, Mr. Biswas yearns for a place he can call home. But when he marries into the domineering Tulsi family on whom he indignantly becomes dependent, Mr. Biswas embarks on an arduous–and endless–struggle to weaken their hold over him and purchase a house of his own.

Born of Indian heritage and raised on a British-dependent Caribbean island, Ralph Singh has retired to suburban London, writing his memoirs as a means to impose order on a chaotic existence. His memories lead him to recognize the paradox of his childhood during which he secretly fantasized about a heroic India, yet changed his name from Ranjit Kripalsingh. As he assesses his short-lived marriage to an ostentatious white woman, Singh realizes what has kept him from becoming a proper Englishman. But it is the return home and his subsequent immersion in the roiling political atmosphere of a newly self-governed nation that ultimately provide Singh with the necessary insight to discover the crux of his disillusionment.

In the beginning it is just a car trip through Africa. Two English people--Bobby, a civil servant with a guilty appetite for African boys, and Linda, a supercilious “compound wife” [117]-- are driving back to their enclave after a stay in the capital [111].

Guerrillas is one of Naipaul's most complex books; it is certainly his most suspenseful, a series of shocks, like a shroud slowly unwound from a bloody corpse, showing the damaged--and familiar--face last.

In the "brilliant novel" (The New York Times) V.S. Naipaul takes us deeply into the life of one man—an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

The story of a writer's singular journey—from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another—this is perhaps Naipaul's most autobiographical work. Yet it is also woven through with remarkable invention to make it a rich and complex novel.

Nobel laureate V. S. Naipaul’s magnificent Magic Seeds continues the story of Willie Chandran, the perennially dissatisfied and self-destructively naive protagonist of his bestselling Half a Life. Having left a wife and a livelihood in Africa, Willie is persuaded to return to his native India to join an underground movement on behalf of its oppressed lower castes.

After seven years, Naipaul returns to fiction to explore the sources and implications of his feelings of rootlessness, the realities of the colonial experience, the impact of cultural displacement, and our need to belong. He does so through a series of linked historical narratives. Among them is an imagined vision of Raleigh's desperate but futile search for El Dorado. We are also introduced to Francisco de Miranda, one of the precursors to Bolivar's revolution.

Gabriel García Márquez

Gabriel García Márquez was a Colombian novelist, short-story writer, screenwriter and journalist, known affectionately as Gabo or Gabito throughout Latin America. Considered one of the most significant authors of the 20th century and one of the best in the Spanish language, he was awarded the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature.

In Evil Hour takes place in a nameless Colombian village. Someone has been placing satirical pasquinades about the town, outlining the locals' shameful secrets. Some dismiss these as common gossip. However, when a man kills his wife's supposed lover after reading of her infidelity, the mayor decides that action is called for. He declares martial law and sends soldiers (who are actually armed thugs) to patrol the streets. He also uses the 'state of unrest' as an excuse to crack down on his political enemies.

On her twelfth birthday, Sierva Maria – the only child of a decaying noble family in an eighteenth-century South American seaport – is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train.

One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendia family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women—brimming with truth, compassion, and a lyrical magic that strikes the soul—this novel is a masterpiece in the art of fiction.

The Autumn of the Patriarch is a brilliant tale of a Caribbean tyrant andthe corruption of power. From charity to deceit, benevolence to violence, fear of God to extreme cruelty, the dictator of The Autumn of the Patriarch embodies the best and the worst of human nature. Gabriel García Márquez, the renowned master of magical realism, vividly portrays the dying tyrant caught in the prison of his own dictatorship

In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs--yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.

General Simon Bolivar, “the Liberator” of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill.

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